On Writing, and Colours.

How do you feel when you write, he asks me. 

I tell him that it is a form of meditation for me. To sit in a space, with myself, to bring to the now things that have been promptly brushed aside, swept away, buried deep under the needs of the daily. I tell him it is my best way of expressing.

When was the last time you wrote, he asks me.

I tell him, not that long ago. He asks me again, more quietly this time.

I tell him, longer than it should have been. 

That afternoon, I sit with a cup of banana and oatmeal parfait, and a cup of unsweetened cappuccino, an orange notebook with blue pages, and a forest green pen, and write to myself about all the things that are and aren’t. 

I pen the conversation that happened earlier in the day, carefully, onto crisp blue. 

I think about how I am more partial to orange now, so partial that when I look at the sky dipped in citrusy glory, there is a budding in my heart that I have learnt to recognise as gratitude over the years. 

I stare at the forest green in between my fingers, and think of all the trees I have seen this year, all the rolling hills, all the beauty that is so generously given, day in and day out, beauty that I take for granted because of my 9-5, because of all my material comforts, because, because, because.

I stare at the the scrawl of words on that crisp blue, and look at the way my voice appears in this world, and remember, with gratitude, that I have a heart, and that it both rejoices and bleeds, and does its job well so that the other parts of my body can move with ease, can feel with ease.

It is only in the evening, that I realise, that he had not just been asking about how I feel when I wrote; he had been asking me how I felt when I truly lived with myself. 

The sun disappears into inky black, leaving orange whirlpools in the sky. There is a budding in my heart.